Siddharth Kara's The Zorg: An Examination of Scarcely Imaginable Horrors at Sea

Over the spanning nearly four hundred years, the transatlantic slave trade resulted in 12.5 million Africans trafficked from their continent to the Americas. A devastating 1.8 million of those souls died during the voyage, enduring unfathomable conditions of extreme confinement, squalor, and disease. Many chose to end their suffering by leaping overboard, whereas others were callously thrown into the sea.

Two Interwoven Narratives

In The Zorg, author Siddharth Kara weaves together two parallel narratives. The first chronicles a harrowing incident aboard the eponymous slave ship—the systematic drowning of 132 enslaved Africans by its British crew. The second story examines how this event played a pivotal role in the ending of the Atlantic slave trade in 1807, thanks largely by the relentless efforts of a coalition of committed campaigners. Among them was Olaudah Equiano, who authored one of the rare first-person accounts of the Middle Passage, describing it as “a scene of horror almost inconceivable”.

Liverpool's Central Role

The tale originates in Liverpool, a port city that at the height of its prosperity was responsible for 40% of Europe's slave trade. Financing slavery was a lucrative venture for not just the wealthy but also the common people. One such investor, William Gregson, accumulated his wages from his trade, ploughed them into the slave trade, and eventually became a wealthy burgher and even mayor. Gregson financed the slave ship The William, which departed from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its cargo was loaded with trade goods like tobacco, firearms, knives, and various “India goods” such as chintz and cowrie shells—the latter being a standard rate in the purchase of human beings.

The Capture of the Zorg

Concurrently, a Dutch slave vessel named the Zorg (later referred to by the British as the Zong) had departed the Netherlands. With Britain at war with the Dutch in late 1780, the Royal Navy gave British ships permission to capture Dutch property at sea—a virtual license for piracy. The Zorg was soon taken by a British captain and held off the Gold Coast. Meanwhile, Captain Hanley, on a slaving expedition, took aboard a disgraced British governor named Robert Stubbs, who had been expelled for graft.

A Voyage into Hell

When Hanley reached Cape Coast Castle—a stronghold with a vast holding cell beneath it—he took command of the captured Zorg. He proceeded to severely overcrowd it with captives, placed a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of dubious nautical skill, its captain. In August 1781, the Zorg left Accra carrying 442 enslaved Africans, 17 crew members, and one depraved passenger: the former governor, Robert Stubbs.

Kara is particularly skilled at using contemporaneous sources to vividly reconstruct the general hell of being trafficked on a slave ship.

The Zorg's journey was fraught with calamity. Dysentery swept through the vessel, followed by scurvy. The captain succumbed to sickness, became delirious, and appointed Stubbs. Thus, “a ship full of decay and death was being commanded by a passenger.” Kara effectively employs period testimonies to paint a picture of the unmitigated terror. The powerful testimony of Alexander Falconbridge, a doctor who became an activist, describes how the captives' skin was frequently rubbed raw to the bone from lying on bare wood, their flesh pinched and torn between the planks.

The Unspeakable Decision

By late November 1781, the Zorg was still far from Jamaica and dangerously short on water. The crew made the decision to throw overboard a number of the enslaved Africans, who had already suffered through months of obscene conditions below deck. This unspeakable act was not motivated by preserving life—the Africans had begged to be spared, even without water rations—but by cold economic greed. Ship insurance policies did not cover losses from disease, but they would pay for cargo discarded out of “necessity” for the ship's safety. Over a period of days, the crew drowned “those Africans who would be worth less at auction”—the infirm, the sick, including women and children, even a baby born during the voyage.

Insurance and Injustice

Back in Liverpool, investor William Gregson was dissatisfied with the profit on his venture. He submitted an insurance claim for £30 per drowned captive—a substantial sum in today's money. The insurers declined to pay. In March 1783, Gregson took them to court and was awarded a trial by jury, with his lawyers claiming that throwing the enslaved people overboard had been “necessary.”

The Spark for Abolition

According to Kara, “there is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.” Merely twelve days after the trial, an published essay appeared in a prominent English newspaper. The author, who claimed to have been present the court proceedings, argued compellingly against slavery, using the Zorg case as a key illustration of its inherent evil. Olaudah Equiano read the letter and took it to the activist Granville Sharp, who filed a motion for a new trial. At the following hearing, the events on the Zorg were examined in meticulous detail, precisely what the abolitionists had wanted.

The Road to 1807

In the spring of 1787, the initial group of the Society for Effecting the Abolition of the Slave Trade convened. Over the subsequent years, they petitioned, made speeches, organized campaigns, and meticulously documented the realities of the slave trade. “Their efforts,” Kara writes, “would lay a blueprint for the pursuit of social justice.” After years of setbacks, the Act for the Abolition of the Slave Trade was finally passed in 1807.

An Enduring Impact

The question of who or what should be credited for abolition remains contentious. The Zorg's legacy, however, is powerfully evident in J.M.W. Turner's famous painting, The Slave Ship, which was based on the events of 1781. While slavery has been widespread in human history, its abolition following a sustained mass campaign was unprecedented, serving as an testament to the power of moral courage, the pen, and relentless persistence.

The Author's Approach

Unlike his previous books—such as the Pulitzer finalist Cobalt Red—Kara has had to address certain gaps in the historical record. At times, speculative passages sit awkwardly next to rigorously researched accounts, giving the book a slightly chimeric feel. Part thriller and part serious nonfiction, The Zorg ultimately manages to shedding light on one of history's most horrific episodes, using compelling prose and meticulous research to create a portrait that stays with the reader long after the final page.

Aaron Williams
Aaron Williams

Tech enthusiast and writer passionate about emerging technologies and their impact on society.